Thursday, 28 February 2013
Wednesday, 27 February 2013
Berlinde de Bruyckere
I am fascinated by the work of de Bruyckere. She is very much out there with her work and is not afraid to create ridiculously gruesome work.
Berlinde De BruyckereInside me,2008-2010,
Cast iron, horse skin, epoxy, iron, wood
328.7 x 244.5 x 126.5 cm / 129 3/8 x 96 1/4 x 49 3/4 in
Marc Quinn - Researching Artists
Marc Quinn
No Visible Means of Escape
1996
RTV 74-30 and rope 180 x 60 x 30.5 cm

Tuesday, 26 February 2013
Experimenting
After looking at various crinkled surfaces, my sculpture has began a journey of its own. It seems to be heading in the direction of Paul Thek's work, who deals with the body in a gruesome manner. I would now describe my work as butcher-like.
Monday, 25 February 2013
Paul Thek (1933-1988)
Untitled (Meat Piece with Flies), 1965from the series Technological Reliquaries.wood, formica, metal, wax, paint, glass beads, resin, acrylic glass
Wednesday, 20 February 2013
Sculpture Elective
The verb I have chosen to start me off in my sculpture elective is "to crinkle". I have begun crinkling different materials such as cling film, plastic, paper, parchment paper. It is interesting to observe how the different materials react to being crunched or crinkled up.
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Parchment Paper |
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Tin Foil |
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Black Paper |
Tuesday, 12 February 2013
Thursday, 7 February 2013
Artist's Statement
When I first received the brief 'Urban' I began by taking interesting pictures. My photographs consisted of both structured and non-structured objects. In the print-room I experimented with wood block, dry-point and mono-prints mainly concentrating on dry-point. Some of my mono-prints are inspired by Morgan Doyle's prints and are quite abstract. My other prints are industrial-like and rather structured. I quite like this element.
Wednesday, 6 February 2013
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