Wednesday 27 February 2013

Berlinde de Bruyckere

I am fascinated by the work of de Bruyckere. She is very much out there with her work and is not afraid to create ridiculously gruesome work.
Berlinde De Bruyckere
Inside me,
2008-2010,
Cast iron, horse skin, epoxy, iron, wood
328.7 x 244.5 x 126.5 cm / 129 3/8 x 96 1/4 x 49 3/4 in

Berlinde de Bruyckere

lostbetweencities:


berlinde de bruyckere
marthe
2008
(wax, epoxy, metal, mood and glass)
berlinde de bruyckere
marthe
2008

(wax, epoxy, metal, mood and glass)

Marc Quinn - Researching Artists

Marc Quinn
No Visible Means of Escape
1996
RTV 74-30 and rope 180 x 60 x 30.5 cm
Marc Quinn
No Visible Means of Escape
1996
RTV 74-30 and rope 180 x 60 x 30.5 cm
Marc Quinn
Self 
1991
Blood (artist’s), stainless steel, perspex and refrigeration equipment
208H x 63W x 63D cms

Tuesday 26 February 2013

Experimenting




After looking at various crinkled surfaces, my sculpture has began a journey of its own. It seems to be heading in the direction of Paul Thek's work, who deals with the body in a gruesome manner. I would now describe my work as butcher-like.

Monday 25 February 2013

Paul Thek (1933-1988)

visuallycurious:



Paul Thek (1933-1988)
Untitled (Meat Piece with Flies), 1965
from the series Technological Reliquaries.
wood, formica, metal, wax, paint, glass beads, resin, acrylic glass
Untitled (Meat Piece with Flies), 1965
from the series Technological Reliquaries.
wood, formica, metal, wax, paint, glass beads, resin, acrylic glass

Paul Thek

Paul Thek
Untitiled
 wood, formica, metal, wax, paint, glass beads, resin, acrylic glass
1966

Untitiled

wood, formica, metal, wax, paint, glass beads, resin, acrylic glass
1966

Wednesday 20 February 2013

Sculpture Elective




The verb I have chosen to start me off in my sculpture elective is "to crinkle". I have begun crinkling different materials such as cling film, plastic, paper, parchment paper. It is interesting to observe how the different materials react to being crunched or crinkled up.
Parchment Paper
Tin Foil
Black Paper

Tuesday 12 February 2013

Morgan Doyle

I find Doyle's prints atmospheric and full of movement.

Evening (Monoprint)  90 x 22.5 cm




Folly 49x33 ins.

Thursday 7 February 2013

Artist's Statement


When I first received the brief 'Urban' I began by taking interesting pictures. My photographs consisted of both structured and non-structured objects. In the print-room I experimented with wood block, dry-point and mono-prints mainly concentrating on dry-point. Some of my mono-prints are inspired by Morgan Doyle's prints and are quite abstract. My other prints are industrial-like and rather structured. I quite like this element.